The SM Mall of Asia (MOA) Arena has officially recorded its first-ever four-day sold-out concert run by a Filipino act, as the legendary SexBomb Girls took the stage for their massive “Get, Get, Aw!” reunion series. Drawing over 60,000 fans, the event cements the group’s cultural legacy and the Arena’s status as the premier destination for large-scale live entertainment in the Philippines.
Originally slated as a single performance on December 6, 2025, overwhelming public demand led to an additional three nights from February 6 to 8, 2026. This four-night streak marks a historic milestone:
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New Local Record: The SexBomb Girls now hold the record for the most consecutive sold-out shows by a Filipino artist at the MOA Arena, surpassing the previous 3-night record held by Gary Valenciano’s Pure Energy (2024).
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Challenging Global Icons: The run places them just behind American band LANY, who holds the overall venue record with five consecutive nights in 2022.
“These milestones reflect the strong connection between artists and Filipino audiences,” said Arnel Gonzales, Vice President and General Manager of SM MOA Arena. “Our country’s passion for music, performances, and shared experiences is what continues to fill MOA Arena.”
To accommodate the massive turnout, the February leg utilized a full 360-degree stage configuration. This immersive setup, rarely used due to its technical complexity, allowed for a maximum capacity of approximately 17,000 attendees per night.
“The stage configuration had to be recalibrated to improve sightlines across all seating levels while ensuring strict safety standards,” explained Gonzales. “Enhanced LED visuals, lighting, and sound design delivered a seamless, secure, and elevated experience for all.”
The production was more than a concert; it was a celebration of OPM (Original Pilipino Music). The SexBomb Girls were joined by an elite roster of guest performers, bridging the gap between nostalgia and the modern era:
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Legends: Apo Hiking Society, Gary Valenciano, and Regine Velasquez.
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Modern Icons: Gloc-9 and P-pop sensation BINI.
While Generation X and Millennials comprised the majority of the audience, the “Get, Get, Aw!” fever reached younger demographics, proving the commercial viability of high-scale, nostalgia-driven productions.
